News
Content
12/9/2019
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Pallikan
8/26/2019
submitted J LaRosa
6/2019
submitted B Hammond
5/12/2019
submitted M Zimmer
3/21/2019
submitted H Palikan
12/5/2018
submitted J LaRosa
7/16/2018
submitted J LaRosa
6/15/2018
submitted M Zimmer
12/9/2017
submitted H Palikan
10/30/2017
submitted B Hammond
2/2/2017
submitted J Brennan
12/31/2016
submitted B Hammond
12/1/2016
submitted H Palikin
11/5/2016
submitted S Zimmer
7/28/2016
submitted C Franchi
2/10/2016
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C Jean
12/24/2015
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H Palikan
10/1/2015
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Hammond
7/32/2015
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C Franchi
6/1/2015
submitted J LaRosa
3/26/2015
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M Zimmer
1/8/2015
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J Brennan
12/8/2014
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C Franchi
9/22/2014
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B Hammond
7/8/2014
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L Jean
6/8/2014
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C Franchi
5/7/2014
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H Palikin
3/6/2014
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J LaRosa
1/2/2014
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J Brennan
12/1/2013
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H Palikan
11/1/2013
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L Jean
9/1/2013
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B Hammond
8/7/2013
submitted B Woolsey
5/18/2013
submitted M Zimmer
4/1/2013
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12/3/2012
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12/3/2012
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5/10/2012
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2/17/2012
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8/15/2010
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1/10/2009
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Dean
5/30/2008
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3/10/2008
Twenty Years.
2 Decades. Has it really
been that long? As one of the
founding members of the Golden West Pops I was part of the original 15
people who decided that music was essential, and we needed to form a band.
We worked together to bring a group of musicians, our friends, to
perform our first concert in December 2003.
Rehearsing in an old warehouse, borrowing music from other groups,
and pooling our network of resources, the Golden West Pops was formed.
In the following
years we have had some remarkable changes in leadership, reorganization, and
rebuilding of our membership.
We’ve lost some beloved family members, John, Delores, Fred, Tim, Janice,
Pat, Pam, Janine.
https://gwpops.com/Private/inmemorium.php
We’ve been on 6
tours, Cambria, Palm Springs, San Diego, San Francisco, Las Vegas and just
recently Arizona.
We had the privilege
of performing at Disneyland, Knotts Berry Farm, the Orange County Fair,
Segerstrom Performing Arts Center,
the USS Iowa, the USS Midway, under the skirt of Marilyn Monroe in Palm
Springs, for the American Legion, the Lions Club Fish Fry, the Field of
Valor in Orange and Huntington Beach Summer concert series just to name a
few.
And we are still
going strong. Under the
leadership of our conductor, Pollyanna Gorman, who has been our leader since
the beginning, we have built a strong group of quality musicians from all
over Orange County. But we are
not just musicians that meet every week, we are family.
We rehearse, we do performances but most of all we have a great time.
We laugh, we have fun, we take care of each other, and we have a
great respect for our fellow musicians.
Our Holiday Concerts
are our biggest events of the year.
And we go all out. There
is fun and exciting music, incredible decorations, pictures galore and some
awesome costume changes. This
year’s event is going to be something special.
With 20 years of holiday music under our belt we are putting together
our finest from each year and creating a unique show.
I have so many memories.
Most I can’t add to this article, we would be here all day.
All I can say is that this has been one exciting and incredible
experience so far. I can’t wait
for another 20 years!
May All Your Days be Circus Days!
Lorena L. Sikorski
Happy New Year and Welcome to 2021!
What, it’s not 2021 yet? We’re still stuck in 2020? Well, we can hope that
the New Year will bring a way for us to get back to “normal” and the lives
we all prefer instead of the chaos that was 2020.
Usually in December, I write an article that sums up our concerts and
accomplishments during the past season. All the wonderful concerts we’ve
played at the Orange County Fair, Segerstrom Performing Arts Center, Enderly
Center for the Tustin Girls and Boys Club, etc. Not this year. What have
we done? We started rehearsals in January and continued until the middle of
March. That’s it. That’s as much as we could do before everything was shut
down. But, fear not, that is not the end of my story…
The Golden West Pops, being the creative group that we are, and, under the
leadership of Pollyanna Gorman, have continued to meet every week since we
had to stop in-person rehearsals. Every Wednesday evening at 7:00, we have
a Zoom video meeting. Some people attend most weeks, some attend when they
can and other just once in a while. We’ve tried to stay connected as a
group and share our stories like a lot of other families have during these
trying times. Some of us are more technologically challenged than others
but over the course of the last 9 months, we managed to make it work. We’ve
also been holding our Board Meetings via Zoom so the business of the band
continues.
That’s not to say that some members haven’t played their instruments. The
Pollytechnic Brass Quintet has been rehearsing outside, 6 feet apart and
have given 2 Concert On The Lawn performances on Polly’s lawn in Garden
Grove. The audience has been socially distanced as well and we’ve all
enjoyed a break from being locked in our regular routine. The Flute Group,
Just Us III, performed at the last Concert On The Lawn as well. Both groups
will perform one more time this year on Sunday, December 20 at 10:00 AM. If
you’d like information, please contact info@gwpops.com .
One of our trumpet players, Linda Price, has been getting some brass players
together at her condo in San Juan Capistrano and they’ve been playing on
Monday nights near the tennis courts for residents and family members in the
area. I think a few other members are also getting small groups together
and playing outside.
We do have one more surprise for this year. (And it’s a good surprise!) We
are doing a holiday concert this year! – The Best of the Holidays with the
Golden West Pops. It’s a combination of several of our previous holiday
concerts combined with new commentary between tunes by Pollyanna. This
concert has been made possible by a generous donation and in conjunction
with the Mount Prospect Public Library in Mount Prospect, IL. If you’d like
to tune in, go to our website, www.gwpops.com and
click on our only upcoming event, 12/20 Virtual Concert. Once you confirm
your email address, you’ll receive your Ticket to attend. There is no cost
to attend, you just need a ticket. If you plan on attending, please note –
the concert is at 2:00 Central time which is 12:00 Pacific time, and will be
about an hour long. Help us support The Mount Prospect Library and join us
for some holiday cheer!
Vacation in Paradise
The Musical
by Barbara Hammond
AHHH, vacation. I have been looking
forward to this venture for quite a while. Where am I going? I went to
beautiful Kauai! Not only did I have a wonderful time and many adventures,
but being the musician I am, it became a musical montage!
As we landed the first leg of our flight in Honolulu, I could hear the beat
before my feet hit the concourse; that’s right, “Hawaii Five O”. I continued
enjoying the beat in my head until I heard “last call for flight to Kauai!”
What! We just landed! Now I’m running the full length of the airport, with
“Hawaii Five O” playing faster and faster in my head (Polly would be so
proud at how fast I can play this), to not miss my connection when my
husband yells, “STOP!” Stop? Why? We need to catch that flight! Our friends
realized that we were on the next flight out. Whew! Ok, ok, back to “Island
Time, Maan”. As we arrived in Kauai and set out from the airport in our
trusty clunker
rental, I saw a strange bird in the parking lot. A bit plump, short,
squatty. . . a chicken! Here it comes, the music…”Roosters Lay Eggs in
Kansas”. Roosters, chickens, they were everywhere! On the road, in the road,
alongside of the road, coming out of the forest, the fields. It was an
invasion of chickens! It may have been disturbing, but it was not going to
bother me while in paradise! Oooo, another one….”Almost Paradise”. The view
from our condo was beautiful and what song came to mind? Many!! Looking out
into the ocean sunset I began to hear the Hawaiian version of “Somewhere
Over the Rainbow”. I thought the music was in my head, but the music
wouldn’t stop. I shook my head a bit, only to realize the music was coming
from the resort itself!
The Year Live Music Performances …..
“Took Five”
by Carol Franchi
It seems the only live music being performed
today is either on the internet, virtual, or a lone saxophone, trumpet,
opera or Broadway singer, serenading, alone, from a balcony or fire escape.
In this time of social distancing it is not safe for groups to gather to
rehearse or perform, nor for audiences to gather to listen. Every
professional concert has been canceled until further notice and all
community bands and orchestra are sheltering, individually, in their homes.
Sadly, this includes the Golden West Pops. As soon after it is safe
for us to resume rehearsals and for you to somehow gather to attend, we will
resume our performances. Until that time, stay safe and stay sane
because we miss playing for you. In the meantime, we are going to dig
through our archives and post past recorded performances on Facebook and
republish some of our “classic” news articles to our subscriber list.
We hope to see you all soon. Stay tuned.
May 30, 2008
I started looking into the origin of the “Concert
Band and what, by today’s standards, does that mean for the Golden West
Pops. So here is what I found. Hopefully it will give you some insight as to
who we are and why we exist.Definition: Concert Band, also called wind band,
symphonic band, symphonic winds, wind orchestra or wind ensemble, is defined
as “a performing ensemble consisting of several members of the woodwind,
brass and percussion instrument family”. Its repertoire includes original
wind compositions, arranged classical items, light music, and popular tunes.
Instrumentation is similar to the marching band but it’s primary function is
as a concert ensemble (thank goodness!).
History:
In the 18th century military ensembles, known as
Harmonie bands, did double duty as entertainment at the royal courts
sometimes alone or with strings. Composers, Mozart to be certain, began
writing chamber music for these groups which included two oboes, two
clarinets, two horns and two bassoons. (ok, so not quite what we have today)
When Turkish music was introduced it contributed to the expansion of the
“Western European” wind band due to the dramatic percussion parts. This
required the addition of percussion instruments such as bass drum, cymbals
and triangles as well as the piccolo to balance out the weight of the
percussion. (yeah PICs!!) Eventually more clarinets and brass were added and
by 1810 the “wind band” was developed into pretty much what we have today.
In the 19th century the English and American
traditions mainly used the Military Bands for ceremonial and festive
occasions. They performed mainly marches. The only time wind bands were used
in a concert setting was when they performed transcriptions of orchestral or
operatic pieces. There were very few if any original concert works for a
large wind ensemble. In 1909 the first notable and original symphonic work
for wind ensemble was written by Gustav Holst. (can you guess?) Everyone’s
favorite, First Suite in E-Flat. After that a variety of British, American,
Canadian and Australian composers began writing pieces. Most notably are
Howard Cable, Percy Grainger and Ralph Vaughan-Williams. In 1952 Frederick
Fennell established the Eastman School of Music Wind Ensemble. This is
considered to be the beginning of what is known as the modern Wind Ensemble.
It is generally modeled after the wind section of a Wagner orchestra.
Considered to have one player on a part this is only true with chamber
pieces. Full band pieces require doubling or tripling of the clarinets and
trumpets. Contemporary composers found that the wind ensemble offered a
welcome opportunity to perform new music. College band directors have been
the driving force in expansion and improvement of the repertoire for the
typical concert band.
Most adult bands outside of colleges are
community bands. A community band consists of wind and percussion players
generally sponsored by a city or town and consisting of amateur performers.
The standard concert band will have several players on a part depending on
the personnel and the conductor. The Wind Ensemble, however, will have very
little doubling, mostly in the flutes and clarinets. >
And so the Golden West Pops is formed as a
community band in the form of a Wind Ensemble. Look to future postings to
give you the “History of the Pops”.
TTFN
Carol
The Well-Traveled Log Cabin Bass
by Dennis McNutt
My daughter who lives in Boise, Idaho needed a better cello. So on a lark I dialed up the Boise Craigslist to see if I could find a good instrument for her.
No luck, only a few student cellos. So I looked for a nice instrument for myself. Of course it would have to be a bargain.
Little did I know . . . .
Now I am a bassist—or a wannabe bassist—who fell in love with the double bass as a twelve year-old. I dreamed of playing that clumsy big box with the big voice. But life happened—marriage, children, career and other interests. After retirement I finally started lessons on the double bass.
(Note: This wonderful instrument has an identity problem. It has many names: string bass, upright bass, acoustic bass, bull fiddle, stand-up bass, bass violin, bass fiddle, doghouse bass, and contrabass. This gives it an inferiority complex made worse by always being pushed to the back row of an orchestra!)
Now basses are like children. Each bass has a particular personality, body and voice. You love each one equally but differently. As each one comes along your love stretches accordingly. But unlike with kids, you can’t have too many of them. (Spouses may slightly disagree!)
There is no standard size or shape for double basses. They range from small ones for children on up to the most common size, usually called a 3/4 bass. Some large concert basses are 7/8 size and a rare few are full-sized 4/4 instruments. The large instruments require long arms, big hands and a large vehicle.
Before the Boise search I had already adopted four double basses. My first was an old jazz bass much abused by music students at a local university. It had the scars to prove it. The next addition was a 7/8 orchestral bass whose owner had passed away. Then I found a 120 year-old bass that had been abandoned for decades in the attic of a bankrupt music instrument store. It was so neglected it had never been modernized from three strings to four. An old orphan, it cried out for love, so I added it to the other bass siblings.
My next instrument was a jazz bass I bought from a studio professional. He needed some quick cash to buy a better one. I discovered I “needed” another bass!
Each member of my bass family has its own name; “German Jazz Bass,” “Big Italian Bass,” “Dave’s Jazz Bass,” and “Old Three-Stringer.”
I thought I was invulnerable to passion for another old bass. But you see, we string instrument players all secretly dream of finding something like a Stradivarius violin in Grandpa’s or Grandma’s attic. Unfortunately almost all old attic violins had been imported by Sears and Roebuck and originally sold for between $6 and $9 dollars. Basses cost just a bit more. They aren’t worth much. We know that, but dream on anyhow.
My Craigslist search for double basses near Boise came up a dry hole. So I widened my search.
Bingo! There is was, its big brown eyes begging me to adopt it.
The listing had a photo of an old bass with a splotched finish and the cracks of old age, but the text indicated it was in good condition. It had been born in Germany about 100 years ago. It was now propped up against a bed in a log cabin.
Buying an old bass is always a perilous undertaking. Sales of old string instruments are often fraught with honest error and sneaky fraud. This is particularly so for old basses because their genealogy is often questionable. Even with honest transactions, invisible internal damage often requires thousands of dollars of repairs.
To complicate matters, I was in Southern California, and:
But a phone call wouldn’t hurt, right?
The warm drawl on the other end of the line matched the speaker’s occupation. A snowplow driver, he claimed he had inherited the “hundred year-old bass from his uncle who formerly played it in the San Francisco Symphony.”
Yeah, sure! Probably made by Stradivarius himself!
I should have ended the phone call right there. But the voice sounded earnest.
The owner Steve told me as much as a snowplow driver could know about the bass. Then he sent many photos of the instrument. I had two local experts examine the photos and make some rough estimates of repair costs.
But how could I know if Steve was giving me the truth? I only had his honest-sounding voice to rely on.
Then he mentioned that a well-known bass luthier in Seattle had done some repairs on the bass. He volunteered the name and phone number and suggested I call her. That said good things to me.
The luthier confirmed Steve’s description of the instrument, but the bass was still in Kalispell, 1321 miles away, and the weather was extremely cold. The bass had journeyed from Germany to San Francisco to Kalispell, but it still needed to make its next lap to Costa Mesa, California.
Once we agreed on a price I first had to get the bass to my daughter’s home in Boise, a 10-hour drive in vicious weather. This didn’t intimidate a snowplow driver. So Steve made a quick dash between two storms to meet my daughter and her husband about half-way between the two towns. A month later my wife and I drove to Idaho to get the bass.
After extensive repairs by a highly skilled luthier I finally brought the new old bass home. Everything turned out wonderfully. One hundred years of life and the harsh Montana storage conditions have seasoned the wood, giving the bass a rich and powerful voice quite different from my other instruments.
Steve has promised to send me photos and newspaper articles about the bass as soon as he returns from a job in Arizona. I trust him.
This wonderful instrument has finally taken its place in the Golden West Pops Band—happily located in the back row.
You can call it a double bass, string bass or whatever. I just call it the “Log Cabin Bass.”
December 2019. How did it get to be December
already? Seems like just the other day
we were opening our season with our tri-annual
tour. This year, Las Vegas! Yes,
we took the band to Las Vegas, something the
group had been requesting for a number of years. We
toured 3 museums; Atomic, Mob and Neon, had
dinner and saw The Mentalist, performed 2 concerts
for an elementary school and 1 at the Container
Park in downtown, all in 4 days. In May
we performed in San Juan Capistrano again and
in July performed outside Segerstrom Hall as
part of the lead-in to a free, public concert
by the Pacific Symphony. August
18 found us at the Enderly Center for our annual
support of the Tustin Girls and Boys Club Car
Show fundraiser. If you haven’t seen us
perform at the Enderly Center in a few years,
make sure to check our calendar page and join
us in 2020. When we first started this
performance, we used to fit in a small area
next to the shops and sat around a small rose
bush. Over the years we grew, as did the
rose bush. Eventually we moved to the
parking lot and now the rose bush has been removed
to allow more walking space. We miss the
rose but still love supporting the Girls and
Boys Club.
2019 is remarkable for being our 15th anniversary. 15
years ago, one of the local colleges discontinued
their band program and about a dozen people
decided they weren’t done making music together. They
sat down and starting putting together what
has become the Golden West Pops. There
were about 15 people at the first rehearsal
and we’ve grown now to about 50 people and a
wait list of musicians that would like to join
us. We had a couple of conductors in the
early years but the one most recognizable for
conducting The Pops is my sister, Pollyanna
Gorman. She had student and substitute
conducted in various groups through the years
and was one of the first conductors for The
Pops. It became clear early on that we
needed just one conductor. One person,
whose sole purpose was to make sure the group
rehearsed on a regular basis and create the
“sound” that would soon be affiliated with The
Golden West Pops. Pollyanna is the face
of the group. She is the person all of
the members look to for direction, and not just
for playing music but for how to get to a concert
venue, finding and providing the music, arranging
performances and so much more. The group
has grown under her watchful eye into one of
the favorite groups for many venues; Segerstrom
Hall, Disneyland, Orange County Fair, Knott’s
Berry Farm, Huntington Beach Pier, Cambria VFW,
USS Midway, USS Iowa, Marilyn Monroe statue
in Palm Springs, Sprinkles Temple in San Francisco
and the Container Park in Las Vegas.
One more item of note for this year, our annual
holiday concert, this years’ theme “Not Too
Traditional Holiday Concert”. We will
be performing on Saturday, December 14 at Segerstrom
High School in Santa Ana. Doors open at
6:30, concert starts at 7:00. If you’ve
been a fan for even a little while, you know
Not Too Traditional is something the Pops do
well. We kind of have our own style and
the holidays is when it really comes out. You
won’t hear many “standard” versions of holiday
carols but you will hear some that are just
a little bit different. If you haven’t
purchased your tickets from your favorite band
member, tickets will be available at the door. Seniors
and Students $8, Adults $10. Happy Holidays!
One of my favorite
commercial series of all time is Wendy’s “Where’s
the Beef?!” As a kid, I loved watching the little
old lady incredulously demanding, “Where’s
the beef?!” My favorite is when she
drives around and yells into the drive-thru
window.
Well, it might not
be as fascinating, but while enjoying a live
performance of your favorite musical group,
have you ever found yourself wondering, “Where’s
the beat?” When you come to a Golden West Pops
concert, you’ll find 50 to 60 people on stage,
each doing their part to bring you a single
listening experience and, being a “Pops” band,
most of them have a beat. So, where exactly
does that come from?
That brings me to
another pop-culture standard… The Shoop Shoop
Song (It’s in his kiss). I remember the version
from Cher released in
1990. What does that have to do with “Where’s
the beat?” In order to find out where the beat
is, let’s first take a look at where it isn’t.
(“Is it in…? Oh no, that’s the way.”) For those
of you who just want to know where it is, you
can skip to the end but you’ll miss all the
fun commentary on what exactly each of those
50 to 60 members in our group are playing.
First of all, the
beat is not in the upper woodwinds (flutes,
oboes, clarinets, alto and tenor saxophones).
If they aren’t playing the melody, they’re usually
playing more notes per measure than mama rabbits
have baby rabbits. It’s really hard to find
the beat when their fingers turn into a tiny
blur.
So, maybe the beat
is in the trumpets. Definitely not. If the trumpets
aren’t playing the melody, they aren’t playing.
That’s either because the composer/arranger
didn’t give them anything to play or the trumpets
realized they didn’t have the melody and decided
not to play. The only exception is the super
high long note at the end of a particularly
rockin’ piece.
We definitely know
the beat is not in the french horns. In fact,
they are often the “anti-beat”. If they aren’t
soaring above the band in a ridiculously lyric
and emotional melody, (side note… you should
come hear our very own Kathy Lowe play “Moon
River” for a perfect example), they are playing
off-beats. I’m not sure anyone knows exactly
why but if the composer wants or needs a section
to play the off beats, the horns are always
the first victims.
Okay, now that we
have the obvious sections out of the way, let’s
look at the more usual suspects.
Alas, it’s not in
the low brass (trombones and baritones). They
occasionally get the melody. The baritones often
get the majority of the lyric solos while the
trombones get the jazz ones. Most of the time
however, they have countermelodies or long notes
that help fill out the chord structure. On rare
occasion, they have a repeating rhythmic pattern
but it’s still not the beat, not even in the
controversial “Led Zepplin on Tour” which has
returned to our repertoire for the 2019 season.
While it’s a crowd pleaser, the low brass is
tortured with constant rhythmic patterns bringing
lip and tongue muscles to the brink of exhaustion
just in time to be the featured melody of “Black
Dog.”
So, is the beat in
the bass section (bass clarinet, bassoon, baritone
sax, tubas, electric bass)? Nope. Not there
either. While they often provide the rhythmic
pulse and harmonic anchor, even the repeated
downbeats and strict rhythmic patterns do not
contain the beat.
Aha, you cry! There’s
only one section left. The beat is in the percussion!
Even the auxiliary percussion (bells, chimes,
congas, wood blocks, tambourine, cowbell, etc)
frequently pound out the pulse that keeps everything
driving forward in perfect sync. The set player
locks down the rhythm with all four limbs; the
feet driving the bass drum and high-hat, the
arms flailing in precision causing drums and
cymbals to resound in perfect tempo! Unfortunately,
if you’re cheering and nodding in agreement,
I have led you astray. While the percussion
have the rhythm firmly entrenched, they are
not the source of the beat.
The beat can be found
standing front and center, back to the audience,
facing the band, arms waving. In our group,
this person is known as Pollyanna Gorman. The
beat is firmly in her control communicated with
the tiny piece of wood held in the palm of her
right hand. But even then, that isn’t completely
accurate. The beat takes place the moment the very
tip of that baton changes direction. That is
the moment that all the sections above wait
for. From the opening downbeat to the final
note, we watch for the changing direction of
the baton so that we can make the beat materialize,
whether that be in melody, counter melody, off-beats,
chordal harmonies or rhythmic bass lines. In
some songs, that beat never waivers, steadfast
from beginning to end. However, in most of our
pieces, the beat ebbs and flows transitioning
from song to song, each of us watching the tip
of the baton for the moment that the beat occurs.
So, the next time
you’re enjoying a live performance, you won’t
have run around incredulously demanding to know,
“Where’s the beat?” Just sit back and watch
the tip of the baton held by the one standing
front and center, back to the audience.
It’s that time again, time for the Golden West
Pops to take to the road and go on tour. When
you hear of most bands “going on tour” you think
New York or Chicago. But when the Pops
go on tour we tend to stay a little closer to
home; Cambria, San Diego, Palm Springs, San
Francisco and this year, Las Vegas.
Each time we’ve gone on tour, we’ve come back
with many memories; the sights we’ve seen, the
people we’ve met, the audiences we’ve performed
for. But then there are the events from
each tour that make us truly remember that specific
tour.
Our first tour was to Cambria; a small town
on the Central California coast, a little
south of Hearst Castle. John Wheeler,
one of our trumpet players, was our bus driver
for this trip. After driving a few hours
we stopped for lunch where there were several
fast food restaurants. At the appointed
time, we were all back on the bus and I was
checking off names but we couldn’t leave. We
were missing Chris Newman. He wasn’t on the
bus. Several of us asked if anyone had
seen him. Who had he gone to lunch with? Finally,
we called his cellphone. The phone rang
inside the bus and Chris answered. He
had been on the bus the whole time we were looking
for him, just wasn’t paying attention to who
we were looking for. Next stop, Oxnard
to perform at a middle school that was trying
to restart their band program. The kids
gathered in the grassy quad area and we did
our show. Afterwards, our young drum set
player couldn’t put away his equipment due to
the crowd of kids that wanted a closer look. We
usually have a group dinner sometime during
the weekend we’re on tour and this time it was
at Big Bubba’s Bad BBQ in Paso Robles, (which
as of this writing is still going strong.) The
food was great but the memorable part of the
evening was Polly, our fearless conductor, getting
on the mechanical bull. The bull operator
took pity on her and didn’t get too carried
away and she survived without a scratch. Our
last night in Cambria we performed at the American
Legion Post 432 for their St. Patrick’s Day
fundraiser, selling corned beef & cabbage
dinners to support the local families of our
military. We played a great concert and
they fed us dinner, you could say we played
for our supper. At some point, one of
the Post’s members learned that we financed
our trip ourselves and decided to grab a clean
beer pitcher, and start collecting money for
gas money to get the band home. It was
very sweet of everyone to contribute and they
collected about $500 for us.
Three years later found us headed to San Diego
and the deck of the USS Midway. If you’ve
never been on an aircraft carrier, you should
visit one of
these great pieces of military achievement. First
challenge, how to get our equipment from the
parking lot to the flight deck, many stories
above. Sure, flutes, clarinets, trumpets
are easy to carry up several flights of stairs. Try
that with a drum set, xylophone, cooler of water,
etc. Picture a cargo container with one
of the long sides wide open. Load your
equipment, then a forklift will lift it to the
next deck. While the forklift is raising
the load, run up 2 flights of stairs to meet
it. Move everything from the container,
around a corner and into the bomb elevator. Yes,
bomb elevator. Run up two more flights
of stairs to meet the bomb elevator so you can
now unload on the flight deck. Look around
and see that the band is setting up at the other
end of the ship from where you are. Start
moving equipment across the fight deck. Get
everything set up and start playing. So
far, so good. Except, Polly is conducting
in a very strange manner. Barely using
one arm while trying to hold down her music
with the other so she can actually see it, much
less try to turn pages. That’s how I ended
up sitting first on my knees and then on the
cooler, facing Polly, my back to the band, scrunched
down so they could see over my head so just
my fingers are holding the tops of Polly’s music
and she can now actually conduct. By the
time we got to our group dinner that night we
had all worked up an appetite. Dinner
that night was at a pub. We had worked
out a special menu for the group to help simplify
ordering. I had numbered each entree and
everyone had made their selection earlier in
the week. I called in the order to the
pub and we should have been all set. Except
somewhere along the way, Polly tried to “help”
me and had handed out the menu to some of our
members who had yet to place their orders. Long
story short, we used a different numbering sequence
and when dinner was actually served most of
the meals were fish & chips. Good
thing our group has a sense of humor.
2013 had us heading to Palm Springs. And,
we happened to be starting our trip on my 50th
birthday. I couldn’t think of a better
way to spend my half century mark than with
50 of my closest friends. They gave me
a t-shirt,
tiara, glasses, etc. stating it was my birthday
which I happily wore all day, including the
concert we did for an elementary school in Indio. As
I walked through the school, kids were wishing
me Happy Birthday and giving me hugs. It
was great. After we checked into the hotel,
we were told to be back on the bus in about
an hour. What? I planned the trip,
knew all of the events and this wasn’t on my
schedule. Unknown to me, the group had
planned a special birthday celebration. One
of our members has a family, weekend home in
Palm Springs and had agreed to let us have my
birthday party there, all for the price of a
concert for the neighbors in his cul-de-sac.
The weather was beautiful, the neighbors were
great and we had a fun concert. Afterwards
there was pizza and fancy cupcakes and presents,
for me. Saturday night was our group dinner
which this time
was out in the desert. There was food
and entertainment to be had, if we could just
get there. We were having issues with
the bus, brand new but with a bad transmission,
the location we needed to find only had GPS
coordinates and we had very spotty cell service
and had to turn the bus around, almost getting
stuck in the sand in the process. Once
we finally arrive, our group was split up with
some going on a wagon ride while others watched
a Native American Indian dancer, who it turned
out, wasn’t wearing anything under his chaps
and then listened to a gentleman sing folk songs
who couldn’t carry a tune. Not good with
a bunch of musicians in the house. A good
time was had by all though. On Sunday,
we did our last concert of the tour, under the
Marilyn Monroe statue downtown Palm Springs. It
would have been great, had it not been 100°
at 11:00 am.
Three years ago we decided to go a little farther
from home and found ourselves going to San Francisco. We
decided we needed 4 days for this trip, so left
on a Thursday morning, bright and early. So
far, so good. Through the years we’ve
taken to watching movies on our trips, something
to keep everyone occupied and entertained. Generally
G or PG movies, suitable for all audiences. On
this trip, the main movie was Galaxy Quest. I
had never seen it and if you haven’t its worth
a viewing. It’s more fun with a large
group of friends, stuck on a bus for 8 hours
who have nothing better to do than mimic parts
of the movie. It has become a band favorite
and will probably make another trip with us
in the future. Friday morning had us heading
to breakfast and then the bus getting ready
for the days’ adventure. But for some
of our group, who had stayed on the opposite
side of the hotel than
I did, there was a discussion about some disturbance
that had occurred about 3:00 am. Apparently
other hotel guests were upset about something,
someone threw hot chocolate at a window and
there was much discussion about “Britney, that
skank”. You can’t even mention the name
Britney in the band now without someone adding
“that skank”. We had been out seeing
the sights and were running a little late for
our concert on Friday at Hillview Middle School
in Menlo Park. We decided it would efficient to
call ahead to a Costco along the way, order
a bunch of pizzas and eat in the bus on the
way. Polly and Marcus went to get the
pizzas. Carol and I went into Costco to
buy more water and bananas. We all got
back to the bus about the same time and everyone
started eating. We were no sooner out
of the parking lot and down the road about 10
minutes and, our fearless bus driver, Ricardo,
said, “we’re here”. We were at the school,
still with pizza in our hands. The concert
went well and we headed to our group dinner
at Bubba Gump Shrimp on Pier 39. For once,
the dinner went pretty well, no major snags. I
just wish I could remember how we pulled it
off so we could do it again. Saturday
we toured the California Academy of Science
then performed at the Spreckels' Temple
of Music in the park, right outside the science
center. Did you know that if you rent
chairs for a party, they are more expensive
than if you rent chairs for a wedding? We
didn’t either but our member, Steve Hess, found
out when he volunteered to take care of seating
for the concert. So, we were having a
“wedding”. The things musicians will do
to perform.
That brings us up to date. What will happen
on our next tour? What memories will we
make? We’ll find out soon as we leave
for Las Vegas on April 11. Two performances
at an elementary school, one at a container
park, the Atomic Testing Museum, Neon Museum,
Mob Museum and a dinner show. What could
go wrong…?
H Palikan
Oh my, how time flies!
It seems like we just started our season and
now, here we are, selling tickets for our holiday
concert, Holiday Treasures on Saturday, December
8.
This year we started
our season filling in for the Orange County
Symphonic Pops June 24 and followed that up
with a smaller group performing on July 1st
at
Shepard’s Grove church.
August found us making not one but two inaugural
performances; August 5 in San Juan Capistrano
at Historic Town Center Park and August 26 in
Knott’s Berry Farm at the Fiesta Stage. We
also managed to fit in our annual performance
at the Enderle Center in Orange, supporting
the Girls & Boys Club of Tustin.
We had the privilege
of performing for 2 patriotic events this year,
September 15 for the City of La Palma’s Hometown
Heroes celebration and November 17 for the City
of Orange’s closing ceremonies of their Field
of Valor remembrance. Both events were
very moving and showed just how much we love
our veterans and 1st responders.
The Golden West Pops
have been performing around Orange County, and,
when on tour, in Cambria, San Diego, Palm Springs
and San Francisco for 15 years now. Some
of our members have been playing with us for
the entire 15 years, some, more recently.
New or old, we are a family. And, like
any family, we’ve had our ups and downs, good
times and not so good. We’ve made a lot
of music together and had a lot of fun along
the way. We’ll be taking the band to Las
Vegas in 2019 on tour. And, as usual,
I’m sure there will be stories and adventures
galore. (You can’t mention fish &
chips in the band without most people remembering
our San Diego tour). We’ve had members
get married, (or are getting married) have babies &
grandbabies, some have moved to other states
and new lives and a few members have passed
away. While we miss those that are gone,
we celebrate our new extended family.
We’ve gotten better
with technology over the years, a great many
of our concerts are now live-streamed so those
that are not able to attend can still be entertained
by our antics. And, thanks to the wonders
of technology (and Joe La Rosa) they are preserved
for posterity, or, for those that would rather
watch from the comfort of their own homes, far
away from our actual location. Go to our
Gallery to find the videos and still photos.
Or, check out our Facebook page.
This year our theme
was Now Featuring. Polly found music that
featured a great many of our members and almost
all of the students we had sitting in with us
this summer. Our holiday concert will
continue this theme with solos from quite a
few members. The young men and women from
Crew 412 will be joining us again this year
to sell desserts, coffee, hot chocolate and
water for our guests before and during intermission.
(Personally, I’m very grateful for these kids,
otherwise, the band would want me to do all
of that baking). You’ll be able to leave
a note for your favorite Pops member with our
holiday postcards this year as well. We
have a few surprises scheduled for this year
that we hope you’ll enjoy as much as we do.
If you still need tickets, contact your local
band member or you can always order online or
pick them up at the door. And, if you
can’t join us in person, join us on Facebook
and let us know what you think.
From our family to yours,
Happy Holidays!
I’m not sure what you
are preparing for at the moment. It could be
a birthday party, wedding, graduation, Easter
or vacation. However, I can tell you that each
and every Wednesday, the members of the Golden
West Pops are busy preparing for our upcoming
Spring season. I know you know that the music
you hear doesn’t just happen but, I thought
you might be interested in what actually occurs
each and every Wednesday in order to prepare
for our performances. I’m sure all of our members
has a different point of view but I hope you
enjoy mine.
I arrive between 6:15
and 6:30pm. The parking lot is mostly empty
as I unload my “things”. I get my key to the
rehearsal hall, my back pack filled with music,
my music stand, my mute bag and, of course,
my chair cushion which will provide a little
extra height and some much needed comfort during
the pending two hour rehearsal on a folding
metal chair. Then, I trod across the parking
lot, unlock the door and enter the darkened
room which resembles the community hall at your
friendly, neighborhood mobile home park. I cross
the room and carefully drop my “things” to the
floor.
Then I open the doors.
Two sets if it’s cold inside; three if it’s
hot. Then to the lights: two switches in the
front, one in the entry way, one in the bathroom
hallway, two in the ladies’ room, four for the
main room and one in the men’s room. If it’s
cold inside, I turn the timer to start the heater
which the band members love but causes our conductor,
Miss Pollyanna (Polly) Gorman, to flush after
the first couple pieces. If it’s hot inside,
I strategically place the fans to get some airflow
and hope I don’t sweat to death as I finish
my pre-rehearsal routine.
It is now time to
set up the room. Most of the time, the room
is a blank slate and I begin by rolling out
the chair dolly. Other times, we put away tables
and chairs from a prior event or work around
items already staged for an upcoming gathering.
Either way, often a fellow early-bird band member
has strolled in with their “things” and we set
up. 8 to 10 chairs in the front row with way
too much space between each. Our flute section
leader, Miss Carol Franchi, insists on having
enough room for the flutes but insists “it’s
for the [music] stands.” Don’t tell anybody
but, knowing that they are going to push their
chairs back and expand even if they had 4 feet
between each chair, I set them up a little bit
closer than they should be. And, special thanks
to our oboe players, Marion Anderson and Steve
Maurer, who don’t need any extra room side to
side. Then, on to the right side of the band
(if you’re looking at it from the audience).
2 chairs for the horns with room for their bells
and a little extra space before the 6 chairs
for our saxes. All woodwind players appreciate
a little extra space between them and the brass.
Then, behind the saxes 5 to 8 chairs for the
trumpets. Phew… are you tired yet? Moving to
the left side, 2 chairs for the 1st clarinets
and a chair each for the bass clarinet and bassoon.
The next row has 3 chairs for the rest of the
clarinets followed by 4 chairs for the trombones.
This is usually where we roll out the 2nd chair
dolly to finish off the last row with 2 chairs
for the baritones and 3 for the tubas. And oh…
lest we forget, as I often do, one chair
center stage in the rear which serves as a stick
holder for our set player, Pamela (PamPam) James.
With our chairs in place, it’s time for a folding
6 foot table in the front for Polly (unless
we’re sorting music which calls for two 8 footers)
and one 6 foot table in the back for our percussionists.
By now, our band members
are descending upon our small corner of Costa
Mesa in mass. Each with their own “things.”
Even those playing the smallest of wind instruments
have at least one rolling back pack which would
make any flight attendant worth their salt give
you a sideways glance with raised eyebrow as
if to say, “Really??? You think that is going
to fit underneath the seat in front of you?”
In addition to those with normal “things”, we
have several individuals with unique circumstances.
Polly arrives in her cross-over SUV with a timpini,
cymbal bag, rolling percussion rack, rolling
percussion crate, conductor’s bag with scores,
music crate, and non-folding music stand. If
that were not enough for her humble auto, she
also has Carol’s “things” which would also cause
skepticism to rise in the most stalwart of flight
attendants.
After untold hours on
the 91, our timpanist, Janis Chamoun, arrives
from Temecula in her non-air-conditioned, red
pickup truck with camper, which she affectionately
refers to as her “timpani case.” She comes with
2 timpani of her own, folding table, folding
stool, stick bag and a purse hiding a couple
protein bars and a Diet Coke.
Our bass player, Dennis
McNutt, makes at least two trips hauling in
an electric bass and a stand-up double-bass
along with a stand for each. Other “things”
include his stool, amp, extension cord and music
stand.
PamPam arrives from
her trek down the 405 in Manahattan Beach with
her “small” drum set: bass drum and pedal, the
4 tiered wedding cake (as we like to refer to
the snare and three toms), high-hat, cymbal
bag, cymbal stands, stool, rug and of course,
the stick bag for which we put out that last
chair in the center rear of the band.
Usually, the little
red clown car is the last vehicle with special
“things” to arrive. It bears our percussionist,
Keith Buerger, and more “things” than one ever
thought possible. Hence, the term clown car.
There are two sets of mallets along with a set
of resonating tubes and a mallet stand in two
pieces. There are bongos and sometimes congas.
There’s a large brief case with all sorts of
goodies and finally, what we like to call the
body bag. Although it is large enough and heavy
enough to make you think there is a person inside,
it’s full of random percussion things that I
can’t even begin to list. So the next time you
watch Keith in amazement as he runs from “thing”
to “thing” making all sorts of musical sounds,
take a moment to ponder how he gets all the
stuff into his clown car.
We settle in about 7pm
as Polly calls us to order. We pray everyone
is paying attention and plays like they are
playing attention lest we be forced to play
scales. For the next two hours we will play
music, laugh and experience life together. There’s
also the occasional cat story: a tale of the
latest antics of Polly’s cats told while members
are finding music, tuning timpani or digging
a “thing” out of the body bag. We also have
random guests at times. A visiting family member,
a walking neighbor or the drunk homeless man
wondering what in the world is making all that
noise.
At 9pm, the stick stops
waving and Polly will affectionately announce,
“Thanks for coming. Now, get out.” Everyone
begins to put their “things” away. Chairs go
back on the dollies. Tables to their places.
Lights out. Doors closed. We head our separate
ways 2 hours closer to being ready for our next
performance knowing we’ll do it all again next
Wednesday with our friends who make up the family
of the Golden West Pops. It is our honor and
privilege to prepare and perform for our guests,
even if it means we have to haul a few “things.”
by H Palikan
by Barbara Hammond
It’s that time of year again! Yes, yes, reminiscing on my travels with the Golden West Pops. Here we go…ummm…hmmmm…I’m having writers block. Maybe it’s memory loss, oh wait!...Nope, still not coming to me. Oh that’s right! I DIDN’T go ANYWHERE this summer!! Now what am I going to write about. Polly always enjoys my travels and the music that comes with it! Think, think, think…hmmm…Cowabunga I’ve got it!! Wait for it….So have you ever been sitting at your desk
at work and you start humming a simple melody.
You go about your day and continue to work all
the while singing this song to yourself. Lunch
comes and goes and before you know it it’s 3
o’clock in the afternoon and the song is still
there. By this time you are either going to
pull
your
hair out or your co-workers are going to shoot
you where you sit. Where did this song come
from? Why are you singing it? How can you possibly
get it out of your head?
What you have is an “earworm”, also known as
a brainworm, sticky music or stuck song syndrome.
No, it is not an actual worm that someone put
in your ear (think Star Trek II – the Wrath
of Kahn). But it is a real thing. Phrases used
to describe this syndrome are “musical imagery
repetition”, or “involuntary musical imagery”
and it happens more often than you think. There
have been quite a few studies on the matter
and it has been determined that about 98% of
people experience this phenomenon (James Kellaris)
. While it appears that men and women seem to
experience it equally it has been suggested
that musicians and persons suffering from OCD
are more likely to suffer an earworm attack.
Kellaris also determined that songs with lyrics
account for 73.7% of earworms and instrumental
music may cause only 7.7% and while the frequency
in men and women is equal the length of time
that they last is much longer for a woman and
much more irritating to them.
Ok so now we know what it is but what causes
it? A study done by Vicky Williamson, University
of London, found that earworms usually are correlated
with music exposure. You remember that song
you heard before getting out of your car, yup
that one. They can also be triggered by “involuntary
memory”, seeing a word or phrase that brings
back a memory in the form of a musical lyric
or simply melody. There are also stress related
earworms. Most earworms are only 15 to 30 seconds
in length. But are like a continuous loop that
keeps playing over and over so they seem like
they are much longer.
So how do we get rid of them? Some say that
doing complex tasks that keep the brain engaged
will get rid of an earworm. Or singing the melody
to completion. One study even suggest chewing
gum, although I do that all the time and still
keep singing. What about thinking of another
song, well that could work or be your next earworm.
No one really knows how to make them go away.
But if you have any suggestions I’m sure the
rest of us really want to know.
So for now all I can say is… I can’t get no
satisfaction… it’s a small world after all…bali
hai…hello dolly…oooooklahoma….oooga chaka….
Ever wonder what happens to all of the musical instruments that were once played by high school band musicians, only to be put in storage following graduation and never played again? When one considers how small a minority of high school band musicians continue to play their instrument after graduation and beyond, there must be many thousands of high quality band instruments stashed away in closets, basements and attics never to be played again and orphaned from the world of music.
How many of the people you knew from your high school band still play their instrument(s)? Probably very few still play. We can break it down statistically by assuming that the average high school band in Southern California has or had around 100 members and that about 20% of the band members played school instruments. That leaves 80 students supplying their own instruments. If we also assume that only 20% of the students supplying their own instruments continue to play after high school, that leaves 64 out of 100 people who never play again.
Now to be fair, at least 20% of the final 64 former musicians were renting an instrument so only 51 people would still own an instrument they no longer use. However, at least 20% of the remaining 51 people purchased an upgrade instrument sometime during their high school music career. That means we're likely back up to 61 surplus band instruments every four years from every single high school in Southern California alone. If there are around 500 high schools from San Diego to Santa Barbara, then over 30,000 band instruments become orphans every four years or about 7,500 every year just in Southern California.
Yes, some of these instruments get handed down to siblings or later to offspring. Let's generously assume that is the case 50% of the time. That would still mean that over 3,700 instruments are "orphaned" every year. If we further assume that at least half of those are still in good condition, then almost 2,000 usable orphaned instruments might be stashed away every year. When you consider that those musicians still playing have already enjoyed a musical career of an average duration of 30 years, then that means there could potentially be as many as 60,000 high quality/condition band instruments placed in storage just in our own lifetime.
Of course one might argue that people would sell their used instruments once they realize someone else could make use of it but most are not sold due an asking price that is too high. After all, that lightly used instrument was expensive when new and should still command a high price. However, most consumers would rather buy a new instrument at twice the price rather than risk purchasing an instrument of "unknown" (at least to them) quality. The irony is that the quality of the older instrument is often much better than that of the "new" instrument. The consumer just doesn't know it. Even more of these instruments are never sold due purely to emotional attachment.
Yes, you can find a handful of band instruments in various pawnshops or music stores may take a few instruments as trade-ins or even outright buy really good used instruments, however, if you look closely at most pawnshop specimens you will see that they've been there a long time and are usually overpriced as if they were collectibles. Music stores also have a difficult time unloading used instruments unless a buyer who knows the reputation and/or value of the instrument can be found. One might also think that the invention of internet sales might have helped reduce this problem but a recent query of E-Bay showed over 13,000 new instruments for sale versus only a little over 3,000 used instruments. This means that the used market is less than 20% of the total instrument market. So, assuming that at least 20% of the 60,000 possible orphan band instruments are resold through pawnshops, music stores and on-line sales, that still leaves some 48,000 instruments doing nothing but collecting dust in the homes of Southern California for the past 30 years. Far too many orphan band instruments when you think about it. Now what about orphan orchestral instruments, percussion and guitars? Worse, how many pianos are sold as furniture?!?
by H Palikan
Well, here we are, at the end of another year. All the holidays and festivities usually make us think about family.
Families come in more shapes, sizes and configurations than ever before. There’s my family – Mom and 2 brothers, niece & nephew in North Carolina, Dad and Step-mom in Texas, nephews in Missouri and of course, Polly here with me in California. Then there is my husband’s side of the family, brother, sister, nieces and nephew, which are local to us in California.
Then, there are the various aunts, uncles, & cousins. There are mixed families, blended families and the family members you wish you didn’t have to claim.
But in my little world, there is another type of family. My band family – all the members of the Golden West Pops. It’s a funny thing about “band” people. When I was in 8th Grade, we moved to Mainz, Germany for 2 ½ years. Dad was in the Army and it was time for an overseas tour. We arrived in Germany right about the 1st of the year which meant we started after the Christmas break at new schools. I don’t know if you changed schools growing up, but you spend the first days trying to fit in and going from class to class answering questions about what have you learned on this subject, have you already covered this type of math, what do you know about…until you step into band class. The band director asks what part you play, have a seat, here’s the music, let’s go. That’s it, you are instantly in a group of like-minded people, all singing the same tune, or in this case playing the same song. The rest of the day, week, years, you see band people in the halls and they’re your friends.
You make other friends over time but then, for an Army Brat, it’s time to move again and the whole process starts over. Until you walk into band class…
While I haven’t played an instrument since my junior year in high school and only briefly helped out with percussion during the holidays a year or two with the Pops, I have a room full of family members whenever I step into anyplace that involves the Golden West Pops. Rehearsals, concerts, parties, family members.
Now, I wouldn’t have my band family if it wasn’t for my sister, Polly. She leads this wonderful group of people to make the wonderful music they share with all of you. So I guess that leads me right back to my family.
Happy Holidays - From All Of My Families To Yours
by
Well,
it’s that time of year again. Yep, you got it;
the annual “Traveling with the Pops” edition
of the newsletter. Where shall we go this year?
Let’s spin the globe. . . . and well, it looks
like we’re back on Maui! Aloha‼ Actually we’re
revisiting for a special occasion, my daughter’s
wedding. Hmmm, let’s see, as we get off the
plane I see those roosters again and I immediately
think of the Golden West Pops playing “Roosters
Lay Eggs in Kansas”, but there has to more to
this adventure than revisiting all the same
songs in my memory from last year’s trip. As
our wise conductor, Pollyanna Gorman, would
say, “We’re going to change it up this year,”
or “What is our theme for this concert?” Well
my theme is “wedding bliss”, but I can’t think
of any songs that the Golden West Pops has in
their repertoire for a wedding. Instead here
I sit as I watch my daughter on this special
day, surrounded by family and friends. As the
ceremony begins I’m sure I hear a flute duet,
but I know my GWP friends are not here. When
the minister blows the conch shell, I hear Polly
playing the French horn. The ceremony continues
and as I look around I smiles and tears and
I realize that although my GWP friends are not
physically here, I know they are here in the
true Hana Spirit. Hana in Hawaiian means family.
You see, one might
think being a part of a musical group is just
for the music. WRONG! Over the past 12 years
the Golden West Pops has experienced the joy
of members becoming new parents and grandparents
as well, new and exciting jobs, loss of jobs
and the unfortunate loss of members whom we
can say were dear friends, but I’ve come to
realize this group is my family. They support
me as a musician, a mom, wife, teacher and are
generally concerned about me. After returning
from Maui, so many shared in the laughter of
my experience with a Chameleon, thanks to Face
Book (and one of my band family), others were
a part of our wedding celebrations at home,
while others asked about the newlyweds and how
they were doing. So as you can see, on this
trip I may not have been thinking about all
the songs in our repertoire, but I can assure
you I was thinking about family; ALL of my family.
If
you would like to come and spend time with our
family and enjoy the love and laughter, come
see us at our Holiday concert on December 12,
2015. Mark your calendar and keep an eye out
on our website at www.GWPops.com for more details.
I
assure you next year as I begin my summer adventures,
my family, old and new, will be with me. Oh,
and by the way, I contacted Webster’s Dictionary
and the next time you look up the definition
to family you will see this:
family :
noun
fam·i·ly
\ˈfam-lē,
1. a
basic social unit consisting of parents and
their children, considered
as a group, whether dwelling together or not
2. any member or part of a member’s household
associated with the
Golden West Pops
by
Every
year the Orange County Faire comes to town and
the Golden West Pops has the opportunity to
perform in one of its many stages. This
year we had the opportunity to perform in the
Hangar building on Sunday July 26th.
Bright and early we all arrived, set up and
performed for the gathering crowd. As
usual it was a big hit.
And the band had a great time.
As
our time for performing ended we disbursed to
wander thru the fair and enjoy the many exhibits,
eat exotic fair foods and of course my favorite
thing, shopping. Leaving the Hangar
building we wandered upon the first building,
the Arts and Crafts. I consider myself
crafty and so with thoughts of “what can I make”
I started thru looking at all the wonderful
items on display. I was walking along
I happened upon a display case and what do I
see but a really beautiful and unique carousel
horse, well giraffe actually, done in “Tatting”.
I remember my grandma used to do this wonderful
needle work and it is so fun seeing such creative
items on display. And look it won 2nd
place, how
wonderful
for the maker. Who is it that made such
a beautiful little piece? So I look at
the display card and I see a name that is very
familiar to me. What? It’s Kathy
Lowe! She’s our principal French Horn
Player!!! Kathy has won many ribbons at
numerous county fairs throughout California
for her beautiful needle work. Wow, how
great she won again. So who won first?
As I made my way around the little glass case
I found the 1st place winner. And again,
Kathy Lowe! She created a wonderful
little lace doily just like my grandma used
to do. So
Kathy beat herself out for 1st place.
How funny is that!
So
on I wandered thru the maze of exhibits looking
at the many fine entries. On one of the
tables I spotted a lovely Seahorse. It
caught my eye because of how pretty and delicate
it was. I really wanted to get a better
look. As I got closer I saw that not only
did it win 1st Place in its division, Bobbin
Lace, but it too was created by none other than,
Kathy Lowe! I should have guessed.
Who else can create such beauty with such fine
needle work.
As
I moved on to the other side of the room I passed
by a cute little hat. Well actually Mickey
Mouse ears. But these weren’t just any
old Mickey Ears. These depicted “Lady”
on one side and the “Tramp” on the other.
How cleaver! And “Lady and the Tramp”
is one
of
my favorite Disney features. So of course
I moved in for a closer look. It won 1st
Place! But wait! Who made
this? Karen Dean! She’s our lead
trombone player’s wife. And this is the
first time she has entered anything into this
division. First time out and wins 1st
Place. How cool is that.
Now
I’m really excited because I know somewhere
in the Collections Building Karen has another
entry. So I’m on a quest. I move
quickly past the many food displays, thru the
wine
tasting, past the Big Turkey legs and into the
garden section. A beeline straight into
the Collections building brings me to my goal.
There in the corner display case on the top
shelf is Karen’s incredible entry. A “Trombone
Tribute to my Husband”. A collection of
items
all having something to do with the Trombone.
Kelly Dean our lead trombone player is a fabulous
musician and what a better way to pay tribute
to his talents than this little display.
And look! Another 1st Place award for
Karen.
A complete tour of the building brings me to one more entry, it didn’t win an award but it is still a winner in our book for just being there. A cute little collection of Hedgehogs. I like Hedgehogs. :p>
Well I’m done with my quest
to find these beautiful treasures. So
on with my day at the fair. Pig races,
carnival rides and shopping for things I didn’t
need. Congrats ladies for your many wins.
Wait, didn’t I pass the Giant Texas Donut place!
Fireball Donut here I come!!!
by J LaRosa
Theologians and scientists can’t agree if life crawled out of a primordial soup, was created by an omnipotent being or beamed down from a passing asteroid, but one thing is clear, once it arrived it constantly transformed. We, as human beings, are not immune to this process. Our existence from the moment of our birth is a series of changes, renewals, and passages. There are milestones eagerly anticipated and soon passed and forgotten. Other milestones leave indelible marks on our lives causing us to either rejoice in our achievements or marvel at our mere existence. We approach these milestones with a mixture of emotions. Some, like signposts on a desert highway, loom inconsequentially in our path and are left behind us unremarkably, others pounce on us unexpectedly and leave us never the same. The Golden West Pops has experienced a quick succession of these passages in the last couple of months which leave us with mixed emotions but also forever changed.
This month, with conflicted feelings, we congratulate two of our members as they make the passage from high school and into college. Eric Hernandez and Leticia Charco joined our group a few years ago as part of our ongoing cooperation with Century High School in Santa Ana. After a joint concert, both Eric and Leticia, decided they wanted to become full time members of the Pops; Eric on saxophone and Leticia on clarinet. This month they both graduate from Century High School. Eric will become an Anteater at the University of California, Irvine and Leticia, an Aggie, at University of California, Davis. We wish them all the best in their college endeavors.
The other transitions were less expected. In quick succession two band members escaped their mortal coil and went on to whatever lies waiting for us after life. Fred Wagner left us due to complications with Leukemia and Tim Newhouse died from a sudden heart attack.
Fred, a clarinet player, had only been with us a short while but threw himself into that which is the Pops enthusiastically and rarely missed neither a performance nor a rehearsal. He immersed himself into the Pops with same passion he showed to many of his diverse interests. Fred was quick to cover a solo or double on another instrument, doing whatever was needed.
Tim, a French horn player, was a founding member of the Pops and a long time close friend of many of the members. Tim has played with members of the Pops from before there was a Pops, back in the Golden West College days. Tim was a dedicated band member and seemed to be always in the thick of whatever needed to be done. His humor, quiet patience, and friendship will be missed. Tim was a core member of the Pops family.
The Pops will go on; better for having these gifted, faithful, and devoted individuals touching our lives and enriching us with their presence.
by M
Zimmer
by J
Brennan
2014 was another banner year for the Golden
West Pops under the direction of Ms. Pollyanna
Gorman, The band closed out the
year with our annual holiday concert, which
included an arrangement of "Happy Xmas (the
war is over)."
This is a tune authored by John Lennon and spouse
Yoko One (thought it is felt that Ono's contribution
was minimal) as a protest some against
the Viet Nam war, and was the culmination of
more than two years of peace activism undertaken
by the authors.
The
composition elaborated on the themes of social
unity and peaceful change enacted through personal
accountability and empowerment.
Upon
debut, the recording met with luke-warm success
in the US but was immediately successful in
the UK.
The
song has been widely covered by other artists
such as Andy Williams, Diana Ross, Jimmy Buffet,
Sarah Brightman, and Jessica Simpson as well
as various ensembles representative of a myriad
of genres.
by
C Franchi
December is here and it means so many things. As an accountant it means preparation for year-end entries and upcoming audits. A tremendous amount of work and long hours. But as a musician it is one of my favorite times of the year. Why you ask? Well, when else do I get to play and perform some of the most beautiful and meaningful music ever written. Well in my opinion anyway.
I know, you’re saying, “what is she talking about? She plays all kinds of music all year long!” Of course I’m talking about my namesake music. THE CHRISTMAS CAROL!!! And there are sooo many, old classics and the new more modern melodies that have become traditions in their own right.
The origins of the CHRISTMAS CAROL go way back. Thousands of years ago pagan songs were sung at the Winter Solstice celebrations. The word Carol actually means dance or a song of praise and joy, so these were sung while people danced round stone circles. The Christians took over the ritual but most of their songs were in Latin so no one really liked or understood them. So the practice sort of died off.
In 1223 St. Francis
of Assisi started his “Nativity Plays” and the
“Canticles” told the story. These were in the
language of the people so they could sing along.
These new carols spread throughout Europe and
became very popular. The Puritans stopped these
celebrations in 1647 but the songs survived
as people sung them in secret. The tradition
of Christmas Caroling came along when bands
of people called “Waits” would sing on Christmas
Eve when the Christmas Celebrations began. At
the same time orchestras and choirs became the
rage in England and people wanted songs to sing.
So the CHRISTMAS CAROL once again became popular.
The custom of singing in the streets was all
the rage as was “carols by candlelight”. My
family still holds the tradition of going Christmas
caroling on Christmas Eve. We all wear silly
hats and go door to door singing all the old
classic Christmas carols. What joy it brings
to all those we sing to and to us as well.
As for playing these wonderful tunes? Well I get the privilege of performing with my Golden West Pops family every year for all of you. And I can’t wait. This year we will sing and dance (well maybe Polly will) and have “carols by candlelight”. All the joys and traditions of the season. And don’t forget Hanukkah!
I sure hope you join
us. It will keep my holiday traditions alive.
And maybe you will make us a tradition of yours.
by B
Hammond
As I began my summer
adventure, I found myself sitting in the airport
staring out the window at an empty space. Where
was the plane! Instead of going into panic mode,
I began to hum songs to soothe myself. Then
I began to miss my Golden West Pops family,
so naturally the musician inside me dug deep
into my musical library and thought “what song
would our fearless conductor pull out?” The
plane arrived, late of course, I boarded, sat
in my seat and peered out the window. I know!
The perfect song came to mind; “I’m Leaving
on a Jet Plane. . . “ Ahh, much better now.
My first summer adventure would begin in Whistler,
Canada to celebrate my 50th birthday with my
longtime friends from Washington. Girls gone
wild we called it, but I think the proper song
would be, “Girls Just Wanna Have Fun”. What
a beautiful place Whistler is. As we strolled
through the village we came upon the Olympic
rings and a spectacular stage. I grabbed my
phone and began to dial Polly. What a perfect
venue for The Golden West Pops to play. I knew
exactly what she would want to play. Yep, pull
out “Olympic Spirit”. I can hear the band resonating
throughout the village! I was quickly brought
back to reality when I thought about the transportation
logistics. Oh well, it’s the thought that counts.
The next morning we headed up the mountain for
a hike. What a hike it was. Not only was I humming
“The Hills Are Alive. . . “, but I thought,
“what would Polly come up with?” Got it, “Climb
Every Mountain. . .” Whew – good thing I made
it back from that trip in one piece because
now it’s onto Hawaii! Maui to be precise. This
adventure began at LAX of all places. As we
were going through TSA my oldest daughter had
a “star” attack. There he was, Jeff Goldblum.
“Mom, mom look! Mr. Jurassic
Park!” she blurted out.
“Say hello”
“No” she shyly replied.
When was this child ever shy?! So in my thoughts
I imagined how to get his attention. I know;
the Golden West Pops was playing “The Theme
to Jurassic Park” in his honor!
“Hi Mr. Jeff!” announced
my youngest daughter. Well, that’ll do it too.
As we enjoyed all that
Maui had to offer I always had in my mind, “what
song would Polly have the Golden West Pops play?”
Let’s see. . . I’m sure to begin with; “Hawaii
Five-O”. As we left the airport, the girls noticed
roosters everywhere. Got it! - - “Roosters Lay
Eggs in Kansas”. Wow, thought I put that song
in the vault! Standing in the open mouth of
a great white at the Maui Ocean Center, yep,
you guessed it; “Jaws”! Arrggh – still gives
me the creeps. Let’s find something more entertaining.
How about while snorkeling and SNUBA diving
at Molokini we hear “Under the Sea”. I can hear
that xylophone solo bouncing off the water as
the girls have fun trying to swim like mermaids,
but that is cut short by: Daa da, daa da, da
da da da da da da da STOP!!! No more JAWS! I’m
out of the water! That evening I enjoyed a beautiful
sunset at the beach and I know Polly would pull
her favorite out for this picture; “Pirates
of the Caribbean”. I know, I know, we’re in
Hawaii, but hey – this is my musical adventure.
Stay with me. After making it through Hurricane
Isabelle we awoke to a beautiful double rainbow.
That’s right folks, here it comes, “Somewhere
Over the Rainbow. . . “Judy Garland would sing
her heart out at this sight. My adventure has
not ended yet. Onto San Diego. I took my nephew
to the Sea World Aquatica Park. What a blast.
As I floated in the wave pool I imagined the
Golden West Pops playing “Big Fun In the Sun”
and the waves were great to ride as I heard
“Wipeout” in my mind. The next day we experienced
the San Diego Safari Park. So many animals to
see, but the grandest of all; the big cats.
Come on, you know what we would play. That’s
right – “The Lion King”. This summer has been
thrills around every corner, on the go and a
bit chaotic. Sometimes I felt like I had fallen
down the rabbit hole. Do we have a song for
that? As the summer has drawn to a close, I’m
onto my last and probably most difficult adventure.
This adventure is also known as The Empty Nest
syndrome! Yes, I am sending my youngest daughter
off to college. Not sure what song Polly would
pull out for this one, but I am sure that “I’ll
Be Home For Christmas” has got to be in there
somewhere. My husband seems to be acting funny
as I hear him walking around the house humming
the Hallelujah Chorus. I’m sure I must be wrong.
My summer was full of grand adventures, but
I’m always grateful to come home to my Golden
West Pops family. Come join us this Holiday
Season as it’s “on with the show”.
by
L Jean
The Golden West Pops
had a wonderful concert on 7/6 at Shepherd’s
Grove in Garden Grove. We were very excited
to perform at this new location. We had a wonderfully
appreciative audience! We performed some great
Patriotic music amongst other tunes: The National
Emblem March, America the Beautiful, Amazing
Grace, Hawaii Five O, God Bless the USA and
of course Stars & Stripes Forever with Piccolo
soloists Carol & Lori. What a terrific job
they did… it sounded beautiful in the church.
One of our favorites is Armed Forces: The Pride
of America, this song is always a favorite of
mine. I get to look around the audience and
see all the military members stand during their
song. It always gives me goose bumps! A huge
Thank You to ALL our service Men & Women.
Thank you to Shepherd’s Grove Church, we hope
to be back for more concerts.
If you missed that concert
you can see us this weekend at the Orange County
Fair! We will be performing on Sunday 7/20 at
11:15 AM on the Plaza Arts Stage. Come on down
and enjoy our wonderful music.
The Golden West Pops has
another concert coming up soon: On Sunday 8/17
at 11:00 AM at the Tustin Boys & Girls Club
Car Show at Enderle Center in Tustin. Come on
down and listen to our entertaining music and
look at some great cars too.
by C Franchi
by H
Palikan
For the 3rd year in a row, the Golden West Pops will join the Century High School Concert Band in their end of the school year concert on Wednesday, May 14, 2014 at 7:00 pm.
This is a unique concert for the Pops and the students from Century High. Each group normally would perform on its own. For this concert, the students play music selected by their Conductor and Teacher, Mr. Scott Devoe. Then, the Golden West Pops play music selected by their conductor, Miss Pollyanna Gorman. For the final number, both groups are combined, with students sitting next to members of the Pops who give advice and reassurance to the students. There is a rehearsal the week before so students and Pops members can get to know each other and rehearse under the direction of Pollyanna. Students, parents, family and friends of both groups are encouraged to attend this free performance and show their support for everyone.
How did all of this get started you might ask? Scott has been a member of the Golden West Pops for 3 years, teaching music for 7 years and playing Tuba for 11 years. He wanted to show his students and their parents that they could continue playing music after high school so he asked the Pops to join the students for one concert in 2012. He asked the Southern California Philharmonic to play with his Orchestra class as well. The rest, as they say, is history. The students and member of the Pops thoroughly enjoyed the experience.
While rehearsing the 2013 concert, Pollyanna offered the students from Century High the opportunity to join the Golden West Pops for the summer season. Two students, Eric Hernandez and Jose Cortes, took her up on the offer and joined the Pops for the 2013 Summer Season. As the summer drew to a close, both students asked if they could continue with the Pops while attending school. Everyone agreed they could, as long as their grades were kept up. Leticia Charco from Century joined October 2013.
Eric and Jose both play Alto Saxophone and are in 11th Grade. They have been playing sax for 8 & 7 years respectively. In addition to Alto Sax, Eric plays Piano and Viola; Jose plays Soprano, Tenor and Baritone Saxophones. Leticia plays clarinet.
All 3 students auditioned for the Santa Ana Unified School District Honor Band and were chosen to participate in this years’ performance. Each played a pre-selected piece, scales and a piece they had to sight read. The Honor Band performed Foundry by John Mackey, Rain by Brian Balmages and The Machine Awakes by Steven Bryant. In The Machine Awakes, the band played along with a computer making sounds.
The students felt the best part of the experience was the actual performance, playing with more experienced musicians and working on the details that make a piece great. For Scott, the best part was learning from the guest conductor, Gregory X. Whitmore. The downside to participating in Honor Band was the “long, long, LONG practices”, something that all musicians can understand.
When asked if there were any other thoughts or comments, Jose stated: “I appreciate all of the Golden West Pops for allowing us students to play with you guys. You guys are great and know how to make us feel welcome.” From Scott: “Allowing CHS students to participate in the GWP has given them the skills needed to be some of the best instrumentalist in the district. This collaboration has been extremely valuable to the CHS instrumental music program and its students. Thank you!!!!”
Eric and Jose plan to continue playing after high school. Eric is even considering Majoring in Music in college. We hope they stay with the Golden West Pops as well.
by J
LaRosa
The Golden West Pops
opened the inaugural Community Ensembles Festival
hosted by Orange County’s Pacific Symphony at
Segerstrom Concert Hall. On February 8th, 2014
the Pops along with seven other groups from
Orange County joined the Pacific Symphony in
this day long celebration of community music-making.
The event consisted of each group taking the
stage and presenting a thirty minute mini-concert
before an audience of family, friends, and interested
community members. In addition, two principle
musicians from the symphony were also in the
audience as adjudicators. At the completion
of each performance each group went back stage
with one of the adjudicators to hear feedback
on their performance.
"There is nothing more energizing than getting
to play in a concert hall of such high caliber,
especially one that is gorgeous both aesthetically
and acoustically. It is also always helpful
to get feedback from new sources, and we are
thrilled to have Pacific Symphony musicians
participate as the panel of adjudicators” explained
Molly Pontin, the Symphony’s director of arts
participation. The Pop’s enthusiastically agrees
that it was both a thrilling and educational
experience and look forward to being invited
back in the future.
The festival was part of the Symphony’s “OC
Front and Center” program which is a way of
showcasing local community talent. Other events
included in the program were a violin master
class and a live taping of Christopher O’Riley’s
NPR show, “From the Top,” in January. The event
was generously underwritten by the James Irvine
Foundation. In May the Symphony will also be
sponsoring “OC Can You Play”, an event where
individual musicians from the community can
join in a performance in the concert hall under
the direction of Pacific Symphony’s Director,
Carl St. Clair.
by J
Brennan
Here we are, at the
end of our 10th year. What a year it has
been.
We started the year with
our Sneak Peak concert in March at Bella Terra
in Huntington Beach, CA. Our wonderful
photographer, Ian Wiant from iPhotography Studio
took our official 10th Anniversary pictures.
(On our website home page, if you click on Polly’s
head, you can see some of our antics.)
We also started our Logo Photo Contest.
Click on the spinning globe on the home page
of our website to see where our logo has been.
In April, we took the
band on tour to Palm Springs. We performed
at Carrillo Rancho Magnet School for the 5th
and 6th Graders that were just starting in their
band program. After we played a few songs,
we invited them to talk to the musicians, ask
questions and learn more about the instruments.
Our percussion section was the big hit with
the kids. As it turned out, our trip to
Palm Springs happened to fall on my birthday.
I couldn’t think of a better way to celebrate.
The band had planned a surprise party and concert
for me that night at a family member’s home.
We played for the neighborhood then ate pizza,
salad and cupcakes in the backyard; truly a
memorable birthday for me. Our Sunday
concert was at the Marilyn Monroe statue in
Downtown Palm Springs. Although it was
about 100°, we made it through, entertaining
the good folks of Palm Springs.
We had the opportunity
to work with the kids from Century High School
in Santa Ana again in May. A rehearsal
one week and the concert the next week were
so much fun we now have 4 Century High students
playing with us full time.
I’m not sure how anyone
else spends Father’s Day, but I know the GW
Pops like spending it at Bella Terra in Huntington
Beach. We performed our annual Father’s
Day concert Sunday afternoon to a wonderful
crowd.
The Pops performed as
part of the Huntington Beach Concerts In The
Park series on August 18th. We celebrated
“Spirit of ’45” Day with patriot songs and our
signature Pops music.
We continued our patriotic
theme with our last concert of the season in
September at Bella Terra where we had a great
crowd. Our sing-along was led by Cambria
Hernandez who did such a good job, she’ll be
back in December to lead our Christmas Carol
sing-along.
We’ll round out our year
with 2 holiday concerts; one at Bella Terra
on Saturday, December 7 from 6:00 – 8:00 pm.
Be sure to come by and see the “snow” and bring
a toy for the Marines Toys For Tots drive.
Our formal Holiday Concert is on Saturday, December
14 from 7:00 – 9:00 pm at Orange County First
Assembly of God, 1440 E Santa Clara Ave.
Santa Ana, California. We’ll all be dressed
in our finest but you never know what may happen.
Just a few people know
how I love the music Sleigh Ride by Leroy Anderson!
I truly LOVE playing it at Christmas time. I
can’t really say why…I just do. I don’t believe
any Christmas or Holiday concert is complete
without it. I also believe my husband, Chris,
plays the best horse whinny ever heard.
Sleigh Ride was composed
by Leroy Anderson during a heat wave in July
1946 completing it in 1948. Lyrics were added
in 1950 by Mitchell Parrish. Mr. Anderson
never intended for Sleigh Ride to become a Christmas
piece. He envisioned the whole winter season
with folks out for a sleigh ride. As a matter
of fact Christmas is never mentioned in the
lyrics. People probably just liked the idea
of it becoming a Christmas song because
of some of the lyrics…”sleigh bells jingling”,
“outside the snow is falling”, “We’re riding
in a wonderland of snow”, and “It’s lovely weather
for a Sleigh Ride together with you”.
So come on down to our
two Holiday Concerts this year and hear the
Golden West Pops playing Sleigh Ride. Saturday
12/7 6:00 PM at Bella Terra Mall, Huntington
Beach and Saturday 12/14 at 7:00 PM at
Orange County First Assembly of God Church 1440
E. Santa Clara Ave, Santa Ana.
See you all there!
by Brittany Woolsey - Huntington Beach Independent
"Fun" was the word
that Pollyanna Gorman repeated when she described
Golden West Pops.
"We have a lot of fun
performing," said Gorman, the group's conductor
and executive director. "We play fun music,
and we really are a family."
Golden West Pops will
play a mix of genres and songs Sunday evening
as part of the Huntington Beach Concert Band's
Summer Series.
The band mostly plays
"pops" music, Gorman said.
"We usually play a lot
of medleys and recognizable pieces that really
engage the audience," she said, adding that
Golden West Pops has pieces from "Wicked," Andrew
Lloyd Webber and Queen in its repertoire. The
band also consists of mostly wind instruments,
like flutes, oboes and clarinets, along with
various percussion and basses.
Sunday's event has been
designated Spirit of '45 Day, in keeping with
the national event of the same name honoring
the legacy of the World War II generation, and
Gorman said the band will play songs to recognize
the veterans.
Tunes like "The Homefront"
and "Midway March," along with other pops pieces
like "Tennessee Salute" and "Amazing Grace,"
are on the set list.
Gorman said the band,
now 40 members strong, began in 2003 when Golden
West College ended its symphonic music program
and some of the members sought a new place to
perform.
"We decided we were not
done making music together," she said.
Since then, the group
has performed all over Orange County, including
the Bella Terra shopping center and a car show
in Tustin. It has also served as the pre-fireworks
group at the Huntington Beach Fourth of July
celebration and toured San Diego, Palm Springs
and Cambria.
Golden West Pops has a
"family-type" feel, Gorman said. She also said
the group is self-funded and entirely made up
of volunteers, including Gorman, who works at
a mortgage company in Irvine.
"Being self-funded can
be difficult," she said. "A lot of the venues
that used to be able to pay us to perform have
cut back due to the tough times we are all facing.
But we persevere."
Gorman urges the public
to attend Sunday's performance because, and
here is that word again, it will be fun for
the audience and the musicians, she said.
"This is going to be a
really great show," she said. "We are a very
patriotic group, and with this concert landing
on the Spirit of '45 Day, I am really making
the most of it."
If You Go
What: Golden West Pops
Where: Huntington Central
Park behind the library, 7111 Talbert Ave.,
Huntington Beach
When: 5 p.m. Sunday
Cost: Free
Information:
http://www.hbconcertband.org/SummerSeries.html
or
gwpops.com
by M Zimmer
Well, by now you've hopefully visited our Gallery Page and checked out all the wild photos from our desert foray last month. We had a fabulous time touring Palm Springs, playing our instruments and entertaining the locals.
First of all, let's address "The Chiropractic Tour." The bus seems to have become the most memorable part of our trip. As we loaded the bus in our Golden West Pops tour shirts early Friday morning, we had no idea the fun that the bus would bring us. However, as we departed the Park and Ride, we began thinking that our driver was still getting used to the bus because he wasn't shifting very smoothly. The bus actually shifted so roughly that when our professional tour guide joined us for jaunt around the wind farms, he actually worked in jokes about the bus. Fortunately for our wonderful bus driver, yet unfortunately for us, the bus was an automatic. Yes indeed, a brand new bus with less than 4000 miles on it although, a bus that didn't know how to shift. So, we survived the bus the whole weekend and there was a slight uptick in the Orange County chiropractic industry the following week.
Well, enough about the bus, for now…
We had a wonderful time playing a concert at a magnet school in Indio for kids involved in the Arts. We played about an hour for kids in 4th and 5th grades who were just learning to play their instruments. We featured each instrument in different songs and at the end of the concert, the kids came up and talked to us about playing our instruments. I've never seen so many kids swarm the percussionists banging on the gong, pounding on the timpani and discovering all the wonderful weird noises that the "toys" can make.
After another concert in street in front of the house belonging to one of our member's dad, we had a surprise 50th birthday party for our fearless band assistant. We had tons of scrumptious pizza and what was more fitting for the cupcake queen herself, than the most scrumptious gourmet cupcakes I've ever tasted.
Saturday morning was filled with visiting the Palm Springs Tram, walking the Morton Gardens or hanging out at the hotel before a tour of the Wind Farms.
We spent Saturday evening at the Covered Wagon Dinner, once we arrived. You'll have to ask someone for the full story but the short story involves a bus problem that caused us to limp along to the side of the road, fixing that only to get lost, losing cell service, almost getting stuck in the sand and pulling a three point turn in the middle of nowhere. The dinner was great. The covered wagon tour of the wilderness was fun. The cowboy singing in all twelve keys at the same time was interesting but the most memorable part of the night was our Native American dancers, one of which wore butt-less chaps and a loin cloth. I found out later that he had forgot the bells for his ankles and now I wonder if he forgot his pants too or if he was just trying to stay cool. (Did I mention that we were there the two days that the Santa Ana winds decided to heat things up?)
Sunday morning we checked out of the hotel and loaded up before a tour of the homes of the rich and famous. You wouldn't believe how many oleander hedges we were able to see along with the brief glimpses through the front gates. It was on this outing that our tour guide mentioned someone being thrown through a windshield. Of course, that was right after the bus made two huge downshifts heading down a hill.
We then did a concert at the Marilyn Monroe park, at noon… in the 100+ degree weather. We brought our own shade and 6 cases of water which helped us survive. We even got a picture of us all under Marilyn's skirt.
After a brief lunch with the dinosaurs, we made it back to the Park and Ride on time with no more major bus drama. All in all, I had a great time and I think our members did, too. Many thanks to Palm Springs for allowing the Golden West Pops of Orange County, California invade your town.
by Joe LaRosa
Costa Mesa, CA, March 19, 2013: The 50 volunteer musicians comprising the Golden West Pops Concert Band commemorate their tenth anniversary with a full schedule of local concerts and a performing tour of the Palm Springs area. The concert seasons kicks off with a warm up at Bella Terra Mall in Huntington Beach on Wednesday, March 27 and culminates with their annual Holiday Concert on December 14, 7:00 PM at Santa Ann First Assembly of God Church with at least a half dozen performances in between. The band will also perform at the Carrillo Ranch Magnet School in Indio, Friday April 26th and a noon concert at the Marilyn Forever Statue in Palm Springs on Sunday, April 28th to round out their desert tour.
The Pops was formed
September of 2003 out of necessity when the
concert band program was discontinued at Golden
West College and a group of displaced long time
friends and fellow musicians looked for a new
place to continue to perform together.
The Golden West Pops was founded with 33 original
members of which, ten years later, 14 founding
members continue to perform with the group including
the conductor Pollyanna Gorman. This wind
ensemble is modeled after traditional “pops
orchestras” and plays a variety of music ranging
from popular music to show tunes, marches, as
well as some well-known classical pieces.
The Golden West Pops
are available to play at your private or community
events. They are comfortable playing in
shirt sleeves under a tree or a tent or in full
black tie at your formal event. With a
wide repertoire of music, a program can be tailored
for your guests. The group switches out
their music for holiday music in the fall and
would be an ideal compliment for your holiday
event. The group is a 501(c)3 corporation
and you can obtain more information on how to
join, book, or attend a local concert at www.gwpops.com.
My conversation with the conductor…
ME: Great Concert, see
you next week.
Conductor:
No rehearsal next week. Remember?
ME:
What? But, why not?
Conductor:
We are done for the year. Have a good
holiday. See you in 2013.
ME:
Oh… ok. Yes, see you in 2013!
Well we have come to the
end of the year. The Mayan calendar is
finished and so is our 2012 Season. And
what a great year it has been. We started
off slow in March, played our summer concerts
for Bella Terra, the Boys and Girls Club of
Tustin, several concerts in Downtown Huntington
Beach and then debuted at the Summer Concert
Series in Huntington Beach Central Park.
Played with the kids from Century High School
and finished our year at the VA Hospital “Operation
Santa” in Long Beach, where we played for veterans
and their families who are in need.
But our shining moment
was our annual Holiday event at the Orange County
First Assembly where we took our audience “Around
the Word” with holiday music from over 15 countries.
We even got to share this wonderful moment with
our families in other states via a live USTREAM
presentation. Available to all our fans
from our website.
So what’s on the horizon
for 2013? Well, we get to celebrate our
10th year together! The Golden West
Pops is having an anniversary party like no
other. And we want all of you, our friends
and family, to be a part of it. So here’s
to a Happy Holiday and an incredible New
Year!
Be safe and we’ll see
you at our 10th Anniversary Celebration in 2013!
by Barbara Hammond
Looking for a grand adventure? Searching for the sights and sounds of the season? Well look no more. The Golden West Pops is set to put on their Annual Holiday Concert. The theme this year is “Holiday Greetings from around the World”. You will be teleported from country to country while enjoying the sounds of the Golden West Pops as you hear the melodic sounds of pieces such as “Russian Christmas Music”, the mystic and gaiety of “A Celtic Carol”, pull up your boot straps for a real western treat with “Cowboy Christmas” and put on your dancing shoes for “We Wish You a Mambo Christmas”.
This year you will have the opportunity to enjoy this festive evening on December 8, 2012 at the Orange County First Assembly located at 1440 E. Santa Clara, Santa Ana, CA 92750. Doors open at 6:40pm and the show begins at 7pm. Tickets are available at the door or online at www.gwpops.com. Adults are $10, Seniors (60+) and Students are just $8. No matter what you choose this Holiday Season, we hope to see you at our concert. Come be filled with joy, travel with us on the spectacular journey and kick off your Holiday Season with loads fun!
by Carol Franchi
The Golden West Pops
is excited to announce it will be “joining forces”
with the Century High School music program
in presenting their annual Spring Concert, Wed
May 23, 2012.
Century High School, located
in Santa Ana, CA is home to a wide variety of
musical groups including the Marching and Concert
Band, Jazz Band and Orchestras. In April
the school Drama and Music programs put on their
first musical, Disney’s Beauty and the Beast.
Members of the Golden West Pops were enlisted
to play in the pit orchestra along with students
and teachers from the school. Mr. R Scott
DeVoe, music teacher at the school, is a member
of the Pops playing in their tuba section. He
has asked the GWPops to be a part of this year’s final
concert of the year. As an adult
community group the GWPops is hoping to show
that life beyond high school is a great place
for a musician. The adults as well
as the students will join together under the
baton of Mr. Devoe to play one final piece to
end the concert with a bang. Perhaps it
is a preview of a future musical event for the
school, you never know.
When asked about the joint
concert, Ms Pollyanna Gorman, music director
and conductor of the GWPops, stated: “ We
are very excited to be a part of this event.
As a student, you think that unless you go to
college and major in music, you won’t have another
opportunity to play your instrument. We
want to help clear that up, you CAN PLAY as
long as you enjoy it.” Everyone
is really looking forward to this collaboration
and giving back to a community that can appreciate
what music means to young persons of all ages.
You can get further information
regarding this great event either by going to
Century High School’s event calendar or to the
Golden West Pops webpage,
www.gwpops.com.
by Joe LaRosa
This
year the Golden West Pops has built their regular
concert season repertoire from works by famous
composers. The Pops strive to not only entertain
their concert audiences but also to enlighten
them through music they enjoy. Concerts will
feature signature music by composers that should
be recognized by everyone. Past concert themes
have included dances from around the world and
selections from Broadway to the silver screen.
Big band numbers from
Duke Ellington, Glenn Miller, and Louis Armstrong
will play counterpoint to musical theatre selections
from Lerner & Lowe, Richard Rodgers, and
Andrew Lloyd Webber. Popular
composers today write for blockbuster movies
so greats like Henry Mancini, Hans Zimmer and
John Williams will be well represented. Great
composers, through history, have also simply
been referred to as songwriters so works by
Queen, The Beatles, and Led Zeppelin will not
be overlooked. Finally, no big concert band
performance would be complete without patriotic
compositions such as America the Beautiful,
Semper Fidelis, and Stars and Stripes Forever.
The works of these composers and more will be
mixed and matched with little extras thrown
in to appeal to concert goers of all ages in
order to make each performance a unique experience.
The Golden West Pops
is a fifty piece all volunteer concert band
performing throughout Orange County. You can
follow the Pops and learn where they will be
performing online at www.gwpops.com or on Facebook.
The Pops, established in 2003, is a non-profit
corporation available to entertain at public
and private functions such as festivals, patriotic,
corporate and community events throughout the
southland. For information on how the Golden
West Pops can be booked for your event you can
contact them at (714)791-1598 or online at info@gwpops.com.
by
Joe LaRosa
When you say the word SPAM most people think of all the unwanted e-mail that clutters up their computer in-boxes. For Delores Haber, currently a trumpet player for the Golden West Pops, it probably conjures up fond memories of being a Hormel Girl.
Before taking its dubious place in our computer lexicon, SPAM was and still is, a canned meat product produced by the Hormel Company and is enjoyed in 41 countries worldwide, sold on six continents and trademarked in over 100 different countries. SPAM was first introduced in 1937 and became of staple of our men fighting in World War II. In 1946, after the war, Hormel created a troupe of female entertainers who would travel across the country putting on shows promoting the Hormel products including SPAM. By 1948 the troupe had grown to 60 women, including 16 in the orchestra. The group was considered very patriotic and traveled the country in 40 matching white Chevrolet cars; each girl, while “on-duty” wearing flight attendant-like uniforms. Before being undone by TV advertising in 1953, the Hormel Girls were featured on three radio networks and put on shows in large auditoriums from coast to coast.
Delores began her trumpet playing career in Aberdeen, Washington at a time that was not easy for female musicians. Banned from her high school marching band for being a woman, she auditioned and was accepted into the Washington State Honor Band. She went on to earn a BA from University of Washington where she was playing solo trumpet for the UW Concert Band and Orchestra and was the first female accepted into the trumpet section of the Seattle Symphony Orchestra. Delores also entertained our troops with the USO in shows in the South Pacific, Japan, Korea, and European Theaters.
Delores is currently one of the very talented trumpet players in the Golden West Pops. The Pops is an Orange County, California based 50 piece concert band playing a variety of popular music pieces at venues throughout the southland.
by
Carol Franchi
What a magical night!
The Golden West Pops put on a show that was spectacular
in every way. From the incredible musical
rendition of White Christmas performed by Kelly
Dean on trombone to the hauntingly beautiful Auld
Lang Syne with Frank Heinrichs on flugel horn
and sung by the band itself, there was something
for every musical taste. Selections from popular
artists such as the Carpenters “Merry Christmas
Darling”, Elvis’ Blue Christmas and
Danny Elfmans music from “The Nightmare before
Christmas” were intertwined with holiday favorites
like Fantasia for Christmas and Still Nacht.
Charlie Brown Christmas was mixed in with the Grinch
and we even got to MAMBO our way to wishing you
a “Merry Christmas”.
But the highlight of the evening
was the reading of “Twas the Night Before
Christmas” narrated by Bruce Mills and performed
by the Pops incredibly talented musicians.
And of course Pollyanna Gorman in her “nightshirt
and cap” bringing the music to life for the
entire audience. All the musicians were treated
to a very special visit by Santa who, during the
second half, filled handmade stockings for each
individual member and were hung with care at the
back of the auditorium with the help of a
few of his elves.
A great audience was the present
that the band had wished for and did we ever get
our wish! So many of our friends and family
were able to share this special night with us.
It truly made this holiday season one to remember. A
special thanks to all our supporters and helpers
that made this night possible. To Randy Smith and
Heide Palikan for their hand made treasures. We
truly can’t do any of this without every one
of you!
So as the Jolly 'Ol Elf himself
would say… Merry Christmas to all and to
all a good night!
See you in 2012.
by Carol Franchi
December has arrived with
a bang! The Golden West Pops performed a wonderful
Holiday concert to ring in the Christmas cheer this
past Saturday, December 3rd, at the Bella Terra
Mall in Huntington Beach, California. Once again
to celebrate, GWPops had a wonderful crowd as they
played their annual concert to benefit Toys for
Tots sponsored by the United States Marine Corp.
The concert included introductions from Marines
representing the Los Alamitos base and a surprise
appearance from the Jolly 'ol elf himself, Santa.
The children enjoyed frolicking in the "snow" as
it fell from the sky. Imagine that! Snow in Huntington
Beach, California!
With a beautiful Christmas
tree as a backdrop, fun was had by all as the shoppers
sat and enjoyed fun tunes such as, A Charlie Brown
Christmas, How the Grinch Stole Christmas and Baby
It's Cold Outside, and boy was it cold outside.
But despite the cold and the wind the audience was
treated to a fine concert under the stars.
But you have one more
chance to see The Golden West Pops performing its
annual Holiday Concert, featuring a wonderful narration
of “Twas the Night Before”, at
The Sisters of St. Joseph's in Orange, CA this Saturday,
December 10, 2011 at 7pm. You’ll be
able to experience really great versions of some
of our more “non-traditional carols”
as well as start the holiday season off with a bang.
And don’t be surprised if some special treats
fall your way. Bring your friends and family
and get a jump on the season
The Golden West Pops
is excited to announce its upcoming Holiday season.
You will have two great opportunities to see and
hear the GWPops perform some enchanting music in
early December to help get you into the Holiday
Spirit.
On Saturday, Dec 3, 2011, the Pops will once again
be a part of the Toys for Tots campaign at Bella
Terra Mall, in Huntington Beach. Beginning
at 6pm you will have the opportunity to come by
and listen to an evening of concert music in the
old style tradition. Premiering their “Twas
the night before…” holiday program
the music will include some great hits like “Merry
Christmas Darling” and “Happy Xmas”
along with some old favorites like “Sounds
of Christmas” and “Hanukkah Festival”. But
stick around for a special visit from a very “Jolly
Old Elf” who just might drop in on this snowy
winter’s night.
On Saturday, Dec 10, 2011, the Golden West Pops
will perform their final concert of the year.
Topping off a wonderfully successful year the GWPops
is proud to present “Twas the Night Before…”
. This exciting formal concert will be held
at the Sister of St. Joseph Concert Hall in Orange.
Beginning at 7pm the Pops will take to the stage
and bring you back to those childhood memories of
waiting for that special night to come. To
highlight the evening they will be performing an
exciting version of the popular holiday poem “Twas
the Night before Christmas” with an added
special guest narrator. And of course you
never know who just might stop by for cookies and
milk!
So SAVE THE DATE! We would love to have you
spend your holiday with us!
Ticket information and venue location is available
on
www.gwpops.com or friend
us on Facebook to get special notifications sent
directly to you.
by Carol Franchi
The Golden West Pops is
excited to announce its upcoming Holiday season.
You will have two great opportunities to see and
hear the GWPops perform some enchanting music in
early December to help get you into the Holiday
Spirit.
On Saturday, Dec 3, 2011, the Pops will once again
be a part of the Toys for Tots campaign at Bella
Terra Mall, in Huntington Beach. Beginning
at 6pm you will have the opportunity to come by
and listen to an evening of concert music in the
old style tradition. Premiering their “Twas
the night before…” holiday program
the music will include some great hits like “Merry
Christmas Darling” and “Happy Xmas”
along with some old favorites like “Sounds
of Christmas” and “Hanukkah Festival”. But
stick around for a special visit from a very “Jolly
Old Elf” who just might drop in on this snowy
winter’s night.
On Saturday, Dec 10, 2011, the Golden West Pops
will perform their final concert of the year.
Topping off a wonderfully successful year the GWPops
is proud to present “Twas the Night Before…”
. This exciting formal concert will be held
at the Sister of St. Joseph Concert Hall in Orange.
Beginning at 7pm the Pops will take to the stage
and bring you back to those childhood memories of
waiting for that special night to come. To
highlight the evening they will be performing an
exciting version of the popular holiday poem “Twas
the Night before Christmas” with an added
special guest narrator. And of course you
never know who just might stop by for cookies and
milk!
So SAVE THE DATE! We would love to have you
spend your holiday with us!
Ticket information and venue location is available
on
www.gwpops.com or friend
us on Facebook to get special notifications sent
directly to you.
It’s another
year begun for the Golden West Pops and once again
I get to decide what the “theme” of
our repertoire will be for this year. A couple
of months ago, I started investigating whether or
not different “Dance” styles would work
for us. As it turns out, IT DOES!
This year we are featuring
approximately 16 different styles. We have
everything from 1920’s flapper music, to western
two-step all the way through the 60’s, 70’s
and 80’s disco, swing, Latin, polka, tango,
Irish dances and even stripper music.
Here’s a brief
history two of our dance styles:
Pollyanna Gorman
Music Director
Conductor
Chilling Music
Have you ever gone to
a concert (perhaps the GWP “Home for the Holidays”)
and been so moved by the music that you actually
get goose bumps? (Wasn’t that Piccolo awesome
at the beginning of Celtic Carol?[sic]) Or maybe
you have seen something so genuinely beautiful that
you are moved to tears? (Polly’s Santa Cowgirl
outfit perhaps). Well as it turns out there
really is a reason for those physical responses.
And they’ve done studies to find out if your
personality is a clue. (Marcus? ok maybe not!)
Check out the link below to get a better understanding
of why we are moved to tears, get goose bumps or “Yes,
Virginia” skin orgasms.
Keep the Spirit of '45 Alive
As we all know August 14th is
a very special day in America’s history.
On this day in 1945 World War II was declared over.
Well, it’s been 65 years since that eventful day.
Many of the men and women who served our country in
that war are gone now. But they left us a legacy
that must be remembered.
On August 14, 2010 many Americans all across the Nation
paid tribute to those incredible hero’s.
And the Golden West Pops Buglers, lead by our conductor
Pollyanna Gorman, were a part of those festivities.
At
exactly
4pm (7pm EST) they joined with buglers across
the nation in playing Taps in remembrance of all those
that paid the ultimate price for our great nation.
A small ceremony was held at Parkview Memorial Park
in Corona del Mar which included the Mayor of Wildomar,
Ms Bridget Moore, reading a proclamation presented
in Congress to make the third Sunday in August a national
day of remembrance. There were several readings
of memories of those who lived thru that experience
including one of Edith Shain, the nurse made famous
by a picture of her being kissing by a soldier in Time
Square.
We give thanks to all of those exceptional Americans
that served their country through that tremendous fight.
But not just the soldiers that fought in the war.
This is a day to remember all those men, women and children
who were home working to keep their country safe.
Keep the Spirit of 45 Alive!
Today and always.
www.Spiritof45.org
Click here to view video
Hello All,
This was sent to me by Kelly Dean
our lead trombone and I thought it very interesting.
I would like to share this with all of you as well.
No matter what your day or week has been like we should
all try to remember to stop and listen to the music.
It comes to us in various different ways and in many
forms but you can always find it just a listen away.
At this time of year we all get caught up in so many
things. Please don’t miss the things that are
just there waiting for you. Have a wonderful holiday
and don’t forget to stop and listen!
Please feel free to share this
with your friends and family.
Carol
Thought of the Day
"A Violinist in the Metro"
A man sat at a metro station
in Washington DC and started to play the violin; it
was a cold January morning. He played six Bach pieces
for about 45 minutes. During that time, since it was
rush hour, it was calculated that thousands of people
went through the station, most of them on their way
to work.
Three minutes went by and a middle
aged man noticed there was musician playing. He slowed
his pace and stopped for a few seconds and then hurried
up to meet his schedule.
A minute later, the violinist
received his first dollar tip: a woman threw the money
in the till and without stopping continued to walk.
A few minutes later, someone leaned
against the wall to listen to him, but the man looked
at his watch and started to walk again. Clearly he was
late for work.
The one who paid the most attention
was a 3 year old boy. His mother tagged him along, hurried
but the kid stopped to look at the violinist. Finally
the mother pushed hard and the child continued to walk
turning his head all the time. This action was repeated
by several other children. All the parents, without
exception, forced them to move on.
In the 45 minutes the musician
played, only 6 people stopped and stayed for a while.
About 20 gave him money but continued to walk their
normal pace. He collected $32. When he finished playing
and silence took over, no one noticed it. No one applauded,
nor was there any recognition.
No one knew this but the violinist
was Joshua Bell, one of the best musicians in the world.
He played one of the most intricate pieces ever written
with a violin worth 3.5 million dollars. Two days before
his playing in the subway, Joshua Bell sold out at a
theater in Boston and the seats average $100.
This is a real story. Joshua Bell
playing incognito in the metro station was organized
by the Washington Post as part of a social experiment
about perception, taste and priorities of people. The
outlines were: in a commonplace environment at an inappropriate
hour: Do we perceive beauty? Do we stop to appreciate
it? Do we recognize the talent in an unexpected context?
One of the possible conclusions
from this experience could be: If we do not have a moment
to stop and listen to one of the best musicians in the
world playing the best music ever written, how many
other things are we missing?
Pollyanna Gorman's Tribute to 9/11 Victims &
Families
Many of us remember
where we were and what we were doing on that fateful
day 7 years ago. It affected all of us in some
way and every year we stop to remember and to give triburte
to those that were lost. Also, every year, Pollyanna
Gorman conductor of the Golden West Pops pays tribute
in a small way of her own. This year was no exception.
On Thursday morning at exactly 7:35 am in the parking
lot of her work place Polly gathered with her friends
and family to pay tribute to the men and women who were
lost to us that day and to the families who were left
behind. Her words were few, only acknowledging
why each song was played and for whom, but the music
was heartfelt. She expressed her appreciation
for all those who have served and are serving now in
the military by playing the Star Spangled Banner, then
quickly moving to a solemn rendering of Taps for those
that were lost and finally playing Amazing Grace for
the families who are still grieving. It wasn’t
a lengthy tribute and there was no fanfare or cameras.
Just a group of friends that gathered together to remember.
d be thankful for those we have lost and for those we
will lose in the future. ;In Polly’s own words, “Thank
you to all of you who risk your lives every day to make
our country safe”
God Bless
“From Africa to Alaska”
The members of the
Golden West Pops come from all walks of life. Some are
accountants, some nurses and a few are retired.
Every one of us is unique in his/her own way. Our love
of music makes us all the same in one respect but we
sometimes forget how interesting and different our fellow
member’s lives are from our own.
Attached is the bio for just one of those individuals.
Since this article was written there have been many
more accomplishments to add to the story. A trip to
Alaska being the last great adventure, a beautiful new
instrument which has a story unto itself and a planned
showing of their artwork in the next few months.
Just click on the link below to read about the life
of this very talented musician.
I started looking into the origin of the “Concert
Band and what, by today’s standards, does that
mean for the Golden West Pops. So here is what I found.
Hopefully it will give you some insight as to who we
are and why we exist.Definition: Concert Band, also
called wind band, symphonic band, symphonic winds, wind
orchestra or wind ensemble, is defined as “a performing
ensemble consisting of several members of the woodwind,
brass and percussion instrument family”. Its repertoire
includes original wind compositions, arranged classical
items, light music, and popular tunes. Instrumentation
is similar to the marching band but it’s primary
function is as a concert ensemble (thank goodness!).
History:
In the 18th century military ensembles, known as Harmonie
bands, did double duty as entertainment at the royal
courts sometimes alone or with strings. Composers, Mozart
to be certain, began writing chamber music for these
groups which included two oboes, two clarinets, two
horns and two bassoons. (ok, so not quite what we have
today) When Turkish music was introduced it contributed
to the expansion of the “Western European”
wind band due to the dramatic percussion parts. This
required the addition of percussion instruments such
as bass drum, cymbals and triangles as well as the piccolo
to balance out the weight of the percussion. (yeah PICs!!)
Eventually more clarinets and brass were added and by
1810 the “wind band” was developed into
pretty much what we have today.
In the 19th century the English and American traditions
mainly used the Military Bands for ceremonial and festive
occasions. They performed mainly marches. The only time
wind bands were used in a concert setting was when they
performed transcriptions of orchestral or operatic pieces.
There were very few if any original concert works for
a large wind ensemble. In 1909 the first notable and
original symphonic work for wind ensemble was written
by Gustav Holst. (can you guess?) Everyone’s favorite,
First Suite in E-Flat. After that a variety of British,
American, Canadian and Australian composers began writing
pieces. Most notably are Howard Cable, Percy Grainger
and Ralph Vaughan-Williams. In 1952 Frederick Fennell
established the Eastman School of Music Wind Ensemble.
This is considered to be the beginning of what is known
as the modern Wind Ensemble. It is generally modeled
after the wind section of a Wagner orchestra. Considered
to have one player on a part this is only true with
chamber pieces. Full band pieces require doubling or
tripling of the clarinets and trumpets. Contemporary
composers found that the wind ensemble offered a welcome
opportunity to perform new music. College band directors
have been the driving force in expansion and improvement
of the repertoire for the typical concert band.
Most adult bands outside of colleges are community bands.
A community band consists of wind and percussion players
generally sponsored by a city or town and consisting
of amateur performers. The standard concert band will
have several players on a part depending on the personnel
and the conductor. The Wind Ensemble, however, will
have very little doubling, mostly in the flutes and
clarinets. >
And so the Golden West Pops is formed as a community
band in the form of a Wind Ensemble. Look to future
postings to give you the “History of the Pops”.
TTFN
Carol
Each year around November I start looking for new
pieces for the group to play the next year. We usually
have a theme of some sort and carry about 30 songs in
our folders. About a third of these pieces are ones
we can’t get rid of; Star Spangled Banner, Armed
Forces Salute , America the Beautiful etc. The rest
I try and select with a particular theme or style in
mind. One year we had Broadway /musicals as a theme
and included everything from “That’s Entertainment”
arranged by Warren Barker to “Evita” by
Andrew Lloyd Webber to “Selections from Mamma
Mia” by Abba.
This year our theme is music through the ages. We have
a couple of pieces from the 20’s, some ragtime
selections, a few swing pieces, surfer music, jazz,
rock, Dixieland, Latin, funk and even some classical.
As we rehearse I try and point out the differences in
the styles: Dixieland versus Ragtime, surfer music versus
jazz etc. This keeps the rehearsals interesting as we
try, for instance, to play two pieces back to back that
are close to the same style but need to be played differently.
History of Ragtime style music:
Just before the twentieth century began, a craze for
"ragged music" swept the United States . After enjoying
great popularity for a few decades, ragtime faded, as
all crazes do. But it left a permanent mark on American
music. Not only was ragtime itself one of the first
widely popular styles of music that actually developed
in the U.S., but it also played a major part in the
development of a style that has been called "America's
music": jazz.
By the 1920's ragtime was considered "old hat". New
crazes came along, and new kinds of music. But ragtime
continued to be performed and recorded, and it clearly
had a major influence on early jazz greats such as "Jelly
Roll" Morton, and on early jazz styles such as Dixieland
and "Harlem Stride" jazz piano. As jazz went on to develop
other styles, ragtime faded and was nearly forgotten.
But some enthusiasts who were exploring the roots of
jazz began a ragtime revival in the 1940's. The revival
gained momentum very slowly until, in 1973, the movie
"The Sting" reintroduced ragtime to the general public.
Classic rags, particularly Joplin 's "The Entertainer",
became once again a part of the standard band and piano
repertoire. Ragtime continues to be popular with both
musicians and audiences and has at last gained widespread
respect and recognition as an art that produced works
of true genius.
Pollyanna Gorman
Music Director Conductor